Soon Alpha is by his side, through blizzards and predators, as Keda makes the arduous journey home. When a pack of wolves attacks, he injures the alpha wolf, then nurses it back to health. He’s no great hunter, but a sweet and gentle soul: a healer, not a killer. All he takes from his father is a way back, a tattoo on his hand of the Big Dipper constellation. Here begins Keda’s remarkable survival mission, which he does his own way. He’s racked with grief, but he must do what’s best for the tribe and leaves his presumed-dead son behind, marking the place with stones. The tribe must leave him behind, unable to risk losing their chief Tau to a rescue mission. During the hunt, everything goes haywire and Keda is thrown off a cliff by an angry bison. The dialogue here, what little there is, is frankly a bunch of baloney - the kind of vague aphorisms about killing things as a sign of strength and worthiness that’s essentially toxic masculinity and bootstrap individualism dressed up as naturalistic wisdom.įortunately, the sensitive and shy Keda is cut from a different hide, and he’s the film’s true hero. Tau is filled with pride to have his son learn to provide for the tribe, teaching him lessons along the way about self-sacrifice and leadership. Kodi Smit-McPhee stars as Keda, the son of tribal chief Tau (Jóhannes Haukur Jóhannesson), embarking on his first big hunt. When the landscape becomes impacted with snow, it is epic, but less visually stimulating. The camera soars and swoops across the prairies, fields and glaciers, creating the sense of flying for the audience. Director Albert Hughes and cinematographer Martin Gschlacht re-create the untouched vistas of pre-civilization Europe shooting on location in Canada, enhanced with visual effects. When it comes to sheer spectacle, “Alpha” is a stunning production, especially in IMAX 3D. It’s something Sheila the She-Wolf would really dig, and maybe you will too. It’s the story of a young boy living in Europe’s last Ice Age, his fight for survival and the special relationship with a wolf that keeps him alive. It’s sweet, really, to imagine the kind of devotion “Alpha” might inspire, a film that’s very simple, kind of strange, but will melt any dog lover’s heart. She’d watch it every day on a VHS tape, memorizing each line of Cro-Magnon dialogue, fashioning her costumes in tribute to the fur-trimmed Hot Topic looks sported by the characters and adopting a Czech wolf dog like the one in the movie. The button it presses on my set reads 'snooze'.You know Sheila the She-Wolf from “Glow” on Netflix? “Alpha” would be her favorite movie. Those concerned citizens Sharon Stone and Bruce Willis play guilty parents and the movie is supposed to invite acclaim as 'a wake-up call to the American middle classes'. Then the perpetrators, suddenly fearing life sentences for kidnapping, decide to kill the boy and end up with life sentences or death sentences for murder. It all seems playful enough as the lad is inducted into the world of drugs and casual sex. One of the kids is a preening drug dealer who gets his henchman to abduct the 15-year-old brother of a defaulting client as a hostage. Meanwhile, their neglectful parents are driving around, partying, drinking, turning on or having sex. A group of teenagers from moderately prosperous middle-class homes with a pool in every garden, booze in every fridge and a stash under every mattress spend their time driving around, partying, drinking, turning on, having sex and watching video games. ![]() ![]() D irected by Nick Cassavetes, son of the better-known John, Alpha Dog is a gamma-minus dog of a movie re-creating three dreadful days in the San Gabriel Valley, part of that anonymous area of eastern Los Angeles David Lynch dubbed 'the inland empire'.
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